Independence Approach #12 Mothers and Pittsfield Artswalk 2012

Riding the waves of a hot Friday.

I am paused between fertilizing the tomatoes, a basket of whites waiting to be hung up and thinking about what I will read tonight at the open mic Living Room session in Great Barrington.

My town is full of sweet things, fresh strawberries and game people up to experiment with taking our art to the streets.

Now it is fruit salad. 100% Berkshire & Columbia county produce. #berkshires #suzibanksbaum #lifeingbma

I woke up early and realized that my art is in four locations today.
If you are near any of them, please visit.
And, if you’d like to know what it all looks like, pop over to my Face book page where I will be posting photos of this evening’s activity.

 

Today in Lynn, MA, my ‘The Secret and How to Tell It” Sketchbook is in the ArtHouse Coop/ Brooklyn Art Library exhibit at the Lynn Arts Center. The show is up there for the weekend. Details here.

 

 

Miranda Hersey Helin’s e-book, “A Creative Mother’s Guide”  has  wonderful creative practice suggestions and a short interview piece about me and with 12 other artist moms. You can check that out here.

Tonight, I will be at the Alchemy Initiative’s Pop-Up Gallery exhibit of mobile shot- Instagram photographs on the theme of independence. Five of my photos are in the exhibit which is all part of Pittsfield’s ArtsWalk. Here is information.

And, then at 8, I will be part of a bunch of people reading in outdoors in Pooja Roo and Gabrielle Senza’s Living Room Theatre. Here is a map. Come if you can.

I am completely grateful for the opportunity to share my work in the world.
I leave you in the capable and graceful hands of Mary Oliver and her poem Messenger, published in the collection Thirst in 2006.

Messenger

My work is loving the world.
Here the sunflowers, there the hummingbird —
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?
Am I no longer young, and still not half-perfect? Let me
keep my mind on what matters,
which is my work,

which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all ingredients are here,

which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.

~ Mary Oliver ~

(Thirst, 2006)

 

 

Have a fire fly night,
Love,
S

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Comments
  • Becky

    Hi! Really like your sketchbook cover pictured here. Good to hear of all your art!
    Love, Becky